Von Eusersdorff ‘Classic Myrrh’


So here we are, the forth and final review of Von Eusersdorff’s classic collection. It has been a very interesting change of pace for me to review the whole collection rather than just picking my favourites, but I felt it was important to better understand how the perfumes all relate to one another.

As you have probably noticed I like to dedicate a good number of words to a perfume and I don’t tend to review fragrance that I really haven’t enjoyed. I believe that it is such a personal experience that for every one person that doesn’t enjoy it, there will be at least two that will. Who am I to tell someone why they won’t like something? All I can offer is my experience and if it hasn’t been good then is it really worth sharing? I do not have enough experience to class myself as a critic.  Out of the four Von Eusersdorff perfumes there has only been one that I didn’t enjoy personally and that was the ‘Classic Vetiver’. But that is because I just don’t like vetiver. However, it was undoubtably a well crafted perfume and it didn’t seem right to leave a gap in the series, so it was a learning curve to write about something that didn’t do it for me for a change! I am relieved to say that I found the experience of ‘Classic Myrrh’, far more pleasant, a mesmerizing scent filled with echoing notes of incense and warm woods.

‘Classic Myrrh’ is a seamlessly stitched portrayal of an eastern temple. Myrrh, as you would expect, is present immediately, sweet and resinous. There is a citrus note sparkling away too, although it is gentle and serves to emphasise the sweet incense. I have experienced a few Myrrh fragrances, one I particularly enjoyed being ‘La Liturgie des Heures’ from Jovoy. Where that perfume was cold and sombre and full of winter light, ‘Classic Myrrh’ is warm and far more oriental in nature.

The incense here is still burning, wisps of smooth smoke curling up into the wooden rafters of the temple. A golden Buddha is seated upon a pedestal, hung all over with flower garlands. Offerings of food wrapped in leaves sit before his feet and the constant resonance of a singing bowl spreads it’s one note into the silence.

‘Classic Myrrh’ has a really spacious feel, the smokey sweet myrrh and possibly what might be musky amber could potentially become cloying but is enriched with what I believe is Oud. There is absolutely no sharpness to it, just a wonderful, rounded orb of living wood which is almost animalic. Von Eusersdorff have again achieved that beautiful smoothness and perfect finish that is present in all their perfumes. I am coming to the conclusion that it’s the very clever use of patchouli through the range that brings all the scents together in such a harmonious manner.

Black patchouli is present again in ‘Classic Myrrh’, this time with a dualistic effect. I am reminded of patchouli’s more herbal, dry floral side in this perfume, but also it’s juicy, dark stickiness that I love so much. The floral aspect makes the scent even more atmospheric and spiritual, whereas the darker juices amp up the Oud and woods, adding depth and smokey warmth. Out of the four Classic perfumes, this is the one with the most longevity. It has a very persistent presence that I was aware of all day long, it seemed that the longer I wore it the stronger it became. ‘Classic Myrrh’ seems very reactive to body heat, when I was out and about in the sun it was sweeter and more filled with top citrus notes, amber and myrrh, when I was resting at home I noticed the darker heart woods seeping through the smoke.

As with all fragrance, whether you love something enough to wear it on your skin is your own personal decision, but as I have said before, one cannot deny when a perfume has been crafted using superb quality ingredients and genuine passion. I really enjoy incense-filled perfume in the same way that I enjoy going to fancy dress parties. It’s a costume, a disguise. I revel in the experience of it but the next day it’s a relief to become yourself once more. I am impressed with ‘Classic Myrrh’ but it is not a perfume that I could wear comfortably in many circumstances. I know plenty of incense lovers who will adore this for it’s resinous, almost crystalline sweetness and it’s impressive sillage.

The winner from this collection for me definitely has to be the ‘Classic Patchouli’. I love it, my husband loves it, people have commented on how lovely it is when I wear it (which I can promise you rarely happens to me, even though I’m permanently doused in perfume!) This is the one that I will be saving to buy a bottle of. It is timeless and elegant and I just feel good when I wear it.

Von Eusersdorff’s new fragrance, ‘Classic Orange’ will be debuting on 27th September at Jovoy in Paris. If it has the same class and sophistication of the original four then we should expect great things. I’m very much looking forward to wrapping my nose around it….

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